{"id":1441,"date":"2024-01-27T12:19:44","date_gmt":"2024-01-27T11:19:44","guid":{"rendered":"https:\/\/photo.ericduboisgeoffroy.fr\/?page_id=1441"},"modified":"2024-01-27T13:16:19","modified_gmt":"2024-01-27T12:16:19","slug":"body-show","status":"publish","type":"page","link":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/en\/body-show\/","title":{"rendered":"Body show"},"content":{"rendered":"\t\t
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” The secret of happiness and the height of art is to live like everyone else, while being like no one.” <\/em><\/h6>
Simone de Beauvoir<\/em><\/h6>
M\u00e9moires d\u2019une jeune fille rang\u00e9e (1958)<\/em><\/h6>
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\"Ivannalys<\/div>\n\t\t<\/a>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tBody show – Ivannalys\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\n\t\t\n\t\t\tDiscover \u00bb\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tManon, body show\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\n\t\t\n\t\t\tDiscover \u00bb\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\tBody show – M\u00e9lanie\t\t\t<\/a>\n\t\t<\/h3>\n\t\t\n\t\t\n\t\t\tDiscover \u00bb\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t
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Based on the views of young women on the representation of their bodies, the series addresses the relationship between self-representations of the female body, bodies staged, \u201cbody spectacle\u201d, bodies that speak.<\/h4>


Apart from any fetishism, the relationship between clothing and the body allows each woman to explore a multiple scenography of her self-representations.<\/h4><\/blockquote>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Photo 1 Clo – Photo 2\u00a0 Ivannalys – Photo 3 Manon<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Sarah’s motto was: \u201cEven so\u201d \u201cIt was not a coincidence, but the result of a deliberate desire. At the age of nine, I had chosen this motto, after a formidable jump over a ditch that no one could jump and to which my young cousin had challenged me; I had damaged my face, broken a wrist, and left my body sore. And while I was being transported I cried out, angrily: \u201cYes, yes, I will do it again, all the same, if I am challenged again!\u201d And I will do what I want to do all my life! \u00bb<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Anchor point of the project, for each of the young women who participate in this project, the confrontation with the portrait of Sarah Bernhardt, photographed at the age of 20 by Nadar in 1864, wearing only a burnous, the portrait of a young actress, staging his performance to conquer the Parisian theater scene.<\/span><\/p>

F\u00e9lix Nadar, Sarah Bernhardt at mid-leg, face full, hands placed on a column, 1864.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo 1 A. Photo 2 C\u00e9line Photo 3 H.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00ab Body show \u00bb<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Here also no or little decoration: a chair, a drape which evolves from the status of clothing to that of decoration.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Then, from a \u201cfragment\u201d of an outfit, a series of hats, or a piece of fabric, a linen veil, each woman improvises her own story, hesitant, with its variations and contradictions.<\/span><\/p>

What remains for the photographer is the lighting of this scenography, of this improvised writing, of these stories which tell us about the self-representation and the staging of the female body that young women of the 21st century are confronted with on digital networks.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo 1 Clo Photo 2 M\u00e9lanie Photo 3 C\u00e9line<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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” J’ai pass\u00e9 un \u00e9t\u00e9 entier, assis sur une chaise, chez moi, \u00e0 Paris, en 1972. Une douleur sans motif apparent. Trois mois sur cette chaise, \u00e0 ne rien faire. Raide, immobile, les yeux ouverts, les mains sur les genoux, je demeurais dix heures par jour dans cette position. Je n’ai aucun souvenir des nuits. La seule visite dont je me souviens est celle de la lumi\u00e8re qui p\u00e9n\u00e9trait dans la pi\u00e8ce – d\u00e9labr\u00e9e, d’environ quarante m\u00e8tres carr\u00e9s – vers midi trente et la quittait vers dix-neuf heures. Le t\u00e9l\u00e9phone \u00e9tait coup\u00e9. Il n’y avait pas de musique. La chaise \u00e9tait inconfortable. Pourquoi cette chaise ? Parce qu’elle impliquait une certaine tenue du corps. Sur un lit, je serais mort.”<\/span><\/p>

Douleur exquise
Sophie Calle<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Photo\u00a0 Manon<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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” The secret of happiness and the height of art is to live like everyone else, while being like no one.” Simone de Beauvoir M\u00e9moires<\/p>\n","protected":false},"author":1,"featured_media":1183,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1441","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/pages\/1441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1441"}],"version-history":[{"count":10,"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/pages\/1441\/revisions"}],"predecessor-version":[{"id":1517,"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/pages\/1441\/revisions\/1517"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/media\/1183"}],"wp:attachment":[{"href":"https:\/\/photo.ericduboisgeoffroy.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}